Suprarealism and its admirers

“They say that we use a maximum of ten percent of our intellectual faculties. It is clear that by his intelligence

and his Mad-Jarova art far exceeds that percentage. The technique she acquired behind

the iron curtain is extremely demanding but its expression is free.

Moreover, she acutely perceives as in her painting "The Scream" that the earth is threatened with leveling down,

of mediocrity, of industrial materialism, of selfishness, of conflicts, of loveless sexuality, of negative and destructive thoughts,

of hatred, violence, destruction and decadence.

His painting therefore transmits a force that urges wonder, beauty, love and to have an ideal.

What we dream very strongly happens, they say, and Mad-Jarova has a powerful daydream that leads far and high.

For her, happiness comes through the discovery of our soul on a permanent journey in our inner space.

With a great master technique, the backgrounds of Mad-Jarova's paintings,

very rich and very personal are inimitable which is the sign of great artists.

The invisible appears in the incorporation of human and animal faces that accompany the actual depiction.

The invisible becomes the personified resonance of our moods.

Between shades of pastel or fire appear some bubbles called “orbs” recently detected on digital photos.

The faces and silhouettes in his backgrounds testify to his rich inner world in relation to humans in a communion

of Energies and his art of light is intense.

Mad-Jarova paints couples of infinite tenderness like "Appassionata", human-animal duos where the latter have a lot of things

to teach us about affectivity.

His childish paintings, of great gentleness, are not naive. Mad-Jarova pushes us to fly higher like the birds in her paintings,

to gallop ever further like his magnificent horse Phoenix,

beyond the cobwebs of existence, beyond the anguish that can be read in the gaze of a wounded woman, "The Prey", beyond the evil symbolized by the ugliness of some of her creatures fantastic.

His painting is rich in strong symbols right down to the colors.

Mad-Jarova's scientific suprarealism goes beyond the visible. Mad-Jarova's painting has the same approach defined in his Manifesto of artistic, scientific and philosophical suprarealism, where our psyche is the basis of everything and we all think quantum.

Science speaks of dark matter and energy, because they are invisible and never observed. For more than 35 years, Mad-Jarova has been working on a new scientific model based on the results of observations.

She created a theory of consciousness in intimate connection with the reality of visible matter. Today's scientists are confronted with the invisible. Therefore, the artistic expression of the invisible naturally finds its place in the culture of our time.

For Mad-Jarova, visible (reality) and invisible (consciousness) are a complementary duality. Mad-Jarova's painting has a force that encourages us to find our soul and the energy that is in each of us. Thus, suprarealism will become a new current of thought, inevitable. Mad-Jarova perceives the flaws in our society, but her vision of the future remains optimistic, so she thinks in her superb book

"Facing eternity", free will tends in the right direction.

If the awareness of the dangers is strong, the emotional richness is preserved, and one seeks the crystal, symbol of truth and wisdom, the ideas will be united in a rich spirituality. Mad-Jarova wants to believe that love will reverse the Apocalypse and that Man is destined to evolve. She loves humans and finds them beautiful when they fully exist.

But Mad-Jarova echoes the cry of suffering of our time which is moving away from nature. Official art seems to be at an impasse

shaves – mound, when he exposes for example a gas bottle, repainted in red!

Official art has rarely survived. What will happen afterwards? It's up to you to tell us, it's up to you to decide. To all of you… In our age of democracy, the public has a say. What do you think ? Are you always ready to align yourselves with the imposed thought, with the unique thought?

This "art" is not inspired by the invisible, that is to say by our deep thoughts, our feelings, our invisible but essential emotions. In the past, it was Love that inspired masterpieces. And Mad-Jarova urges Love and the beauty present in each of us. The plastic in his paintings is sometimes choreographic as in “Valse” or “Arabesque” and musical as in “Mazurka”.

It is nourished by a sap and a warmth reminiscent of the "Rite of Spring" and "The Firebird" works from a rare moment, when creation was a total art: theatre, music, painting and dance.

time, like a piece of music that gradually unfolds, which in this art is a very stimulating feat.

This goes beyond anything you can imagine, because the essential is invisible with the eyes and you can only see well with the heart, and there

Mad-Jarova sees very far as a visionary. Mad-Jarova's painting takes its source in the deep richness of her universe and in all the invigorating elements of nature: water which is life, earth which carries, air which is flight, fire which is passion.

Mad-Jarova has the genius of the “non-limit” which animates Slavic Art”.

Patricia Jacquet Ministry of Culture

I read your book with fervor and passion. What considerable work you have inflicted on yourself to carry out your mission to communicate and transmit what is beyond us! Your entire devotion to artistic creativity deserves both respect and admiration. May the strength of your will and your resilience carry you for a long time to come on the paths of beauty and emotion that your work has been able to bring to the paroxysm of its expressiveness.

I kiss you, I miss you.

Louis Huard (Psychiatrist)

After reading it, I measure the incredible courage and sacrificial love that you had to find in the depths of your soul, to be able to find and put the words on the open wounds of our wandering and chaotic humanity.

Thank you for enlightening us in the asphyxiated thickness of such darkness...

Faithfully. Louis Huard (Psychiatrist)

We very much appreciated this video which shows us what you have acquired scientifically and which is reflected in the film work on your paintings, the multiuniverses, all of these parallel universes born of a very strange interpretation of quantum mechanics.

Added to this is your desire to unify matter and light.

Crossing this wall of light, all of this is found in this will of certain canvases. The characters are transformed into matter to take us to a life parallel to ours.

The looks of women, men, children and animals seem inhabited by another light in their eyes.

I don't know how to say that, they are indeed from our world but as if duplicated. It is truly remarkable work.

Loinel Late

I totally agree with you about contemporary art,

it's really about taking people for fools.

What is not a joke, however, are the colossal sums that this "farce" brews!

(On a trip to New York recently) I went to the Guggenheim and frankly, the majority of "works" do not deserve the name of art

(for me anyway.) And I also completely agree on the fact that success is not necessarily material,

although it must be admitted that it helps. The pursuit of an ideal is a beautiful goal, never completely finished.

Friendships,

Sebastien Cherry

I am convinced that only beauty is able to raise the world from the moral ugliness in which it has fallen, it is better than all the speeches, protests or slogans… Thank you for your contribution Mad (only the hymn to the love between a man and a woman,

about to be outdated soon…).

Sabine LeBlanc

Hello Mad-Jarova, thank you for your writings I read them with great attention and I must tell you that I am totally in this voice of suprareality and listening to the universe. I don't think this is new,

the explanation and the manifesto are new, but they cannot be felt without having had so-called suprasensory or supraemotional experiences which allow one to have these contacts with the messengers of the universe.

Sylvia Simoncelli

I read and reread and reread your text to try to understand

" ALL " !! As these are truths that are finally new to me, not really, but let's say perhaps unconscious. The Void that is not empty is what upset me because it is so strong! This “vacuum” that surrounds us is probably the engine of our life and existence: the invisible, inaudible…. the unseen……

Susanne Rossini

"The Three Fates". What a fascinating work!

It is with great attention that I wanted to see and review this work...

She decides, she says that the divine signature does not stop here, nor in the eternal world, that's what I see for the moment.

The invisible world is dense, denser than this observable world. Only enlightened eyes can see manifestations from beyond...

The invisible world is the vital interest that all sciences should approach for total harmony...

Today, it's as if the world is afraid of real Happiness, while deadly weapons are afraid of nothing...

When I first met you at this gallery in Paris, my heart smiled, because it captured this beautiful energy that knows these interior spaces communicating with all.

A work that exudes a decision full of intelligence...

I have not yet finished seeing and continue to delight and savor the mysteries of this invisible Reality.

I had your book near me and fell asleep with tears...

I heard your voice again, that of an angel certainly, an incomparable Christmas present…thank you xxx

Michele Noble

Your house is a real wonder, just like you.

I had a great evening, like in a dream. An evening that will certainly remain etched in my memory for a long time.

Thank you also for your book “Facing Eternity”, which you offered to me and autographed with great attention.

My intuition guided me to it, and my reason supported me to obtain it.

I started to read it, and I must say that it completely corresponds to my research

of unity between Art, Sciences, Spirituality, Psyche, Poetry, Philosophy, Intuition, Reason,

Dream, Love…. Life, and more...

You share all this with great elegance and generosity.

It would give me great pleasure to exchange with you (modestly, as far as I am concerned) on these subjects.

A few words about me:

In my professional life, I navigated between conducting IT projects of all kinds, research, training...

Then the coaching of leaders, managers and project managers.

And finally psychotherapy and Ericksonian hypnosis, which I explore and deepen further.

Dear Mad, it is for me an immense honor and a great joy to have crossed your path. And I hope to have the opportunity to see you again, here or there.

Naget Copelo

Allow me to tell you that I remain speechless in front of so much beauty, precision, work.

To try my hand at painting for a few very small years (without thinking for a single moment of the slightest comparison, of course),

I admire your immense mastery and measure the time and work it requires like any art practiced at a high level.

I can't wait to be able to really admire your works soon and hear you talk about them.

Good for you.

Michele Martin-Lamarche

Do you know that skill in art has nothing to do with craftsmanship? The work is created deep in the soul of the artist,

but the know-how is the basis of any authentic work.

It is a benchmark on which the creation of an era is based. Without it, everything could be considered art.

Without it, values remain subjective, but above all speculative.