Suprarealism new current of thought
SUPRAREALISM
A NEW STREAM OF THOUGHT
Suprarealism is the inevitable contemporary art because it is essential.
We know that our planet has man-made problems.
We talk about it a lot, but nobody does anything.
On the individual level, a new way of thinking and living must concern us urgently.
As for the Earth, it will regain its rights.
The disappearance of species, such as the dinosaurs, 60 million years ago, still remains a mystery. Humanity, provoking the well-known disorders, will pay for its mistakes.
Thanks to contemporary art, there is still time to change.
Why is Suprarealism contemporary art?
Suprarealism is the contemporary art of our time.
Suprarealism is part of the indispensable art, today, at the time of planetary problems,
because art is the only way to touch the bottom of our conscious and unconscious.
The actual image directly touches the bottom of the soul.
It is worth more than all speeches and official demonstrations.
This is important, because you would have to accept sacrifices.
Suprarealism is the contemporary art to live and love.
Suprarealism unites the unconscious with the conscious.
He encourages everyone in the search for the meaning of their life.
It is a new current of thought, for a new conscious and responsible era.
Suprarealist art reveals a new beauty linked to the states of the soul and consciousness.
A beauty of synergy between man and nature will open up new horizons for contemporary artists.
Aesthetic beauty is discreet.
Without parade and perversity, it is innocent, close to its source.
It naturally attracts, because beauty and harmony are spontaneous human impulses.
Suprarealism is art otherwise.
In the field of science, a new scientific model
will give openings to the men of science, in order to clarify the paradoxes and to work out a science based on the observations of quantum reality.
Suprarealism is the contemporary art of a total new paradigm
(concerning all arts, science and philosophy)
This new way of thinking and living is about sacrifices
which will rather become a habit to be adopted individually.
Each of us will find our own way of acting by knowing the problems and the solutions to get there.
This new school of thought is a natural revolution
Suprarealism is a new current of thought which concerns the arts, music,
literature, cinema, science and philosophy.
It is a new awareness in accordance with the evolution of knowledge of our time.
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We live in a world of unobservable emptiness. We are
a set of vibrations in the vacuum.
Indeed, an atomic nucleus represents a small dust in an empty volume, as vast as a cathedral. We ourselves are filled with emptiness.
However, the matter around us seems hard and stable.
It's hard to admit it, but it's the reality. Is the world we live in an illusion?
And that's not all.
The observable matter in the universe is only 10% and the missing matter, 90%, cannot be found. To solve this problem, scientists add
dark matter and dark energy,
without identifying them.
Officially, it is agreed that emptiness is not really emptiness. But it remains unobservable, it is part of an invisible world, which can be detected by the reactions between virtual particles.
There are spontaneously and permanently creations of pairs (particles of matter and antimatter) always in couple, but the antimatter remains not found in the universe.
And that's not all.
We do not know the mystery of life which arises deliberately and spontaneously, and do not understand the intelligence hidden in the complex web of communication and function.
In the 1970s, the Americans Philip Sharp and Richard Roberts discovered the non-coding portions of DNA called introns. Genes occupy barely 10% of the DNA molecule,
so what is the remaining 90% for?
This strange phenomenon resembles that of invisible matter in the Universe.
In our world, the entire symphony of life is not audible. As if the human ear was incapable of hearing ultrasound. This does not mean that they do not exist, because nature always shows a logic and a tendency of economy.
Even if Science has only recently proven it, the great thinkers have always suspected the vibratory nature of the world in a vacuum. The void that science seeks to explore is the seat of
all unknown phenomena.
Art, science and philosophy are not conceivable separately, apart from their universal relationship.
In this context, at the time when science discovered the existence of the invisible world,
the emergence of suprarealism is normal.
Suprarealism and other artistic expressions
Starting from the principle that all the arts come together, dream images can arise not only under the painter's brush, but from words and music, leaving it up to everyone to continue the creation of the work in his own imagination.
Thus waking dream images captured in inaccessible places can become really existing if they come to life in us.
But, forced modernity, dictated by a few well-placed people, has changed the situation. As always, official art, not being that recognized in the history of humanity, is that which holds the reins of economic, political and intellectual power.
Dodecaphonic music appeared around 1920, is a technique of musical composition
invented by Arnold Schoenberg. https://fr.wikipedia.org/wiki/Arnold_Schönberg
He had already composed remarkable works. At one point he thought he was
at the pinnacle of musical composition.
So he invents a structure of intervals that removes the tonality and the emotion that the music provides.
The purpose of music is to cultivate feelings. It acts spontaneously on our psyche. Atonal music can cause anxiety, and instinctive impulses,
hidden deep in the collective unconscious,
but it does not provide feelings (love, sadness, joy, reflections).
Atonal Music has invested our culture for more than 100 years.
At the same time, dozens of composers who have created exceptional works of great originality and fascinating depth,
have been placed in the trash of post-romanticism.
However, a whole century has seen the birth of new music, under the sign of emotion, reflection and an interiority unknown before. Post-romanticism marks the end of romanticism. In principle, it could not last so long, more than a century. Consequently, post-romanticism is the precursor of supra-romanticism, it is its source which is transformed into a tumultuous torrent.
Music has its universal language. If it expresses the inner richness of the one who creates it, it will always be an infinite creation and does not need artifice.
All eras have left in our cultural heritage their character in resonance with the state of mind inscribed in the socio-cultural framework.
Classical music from the 18th century is very pleasant to listen to, relaxing and restful, with a well-ordered and well-paced orchestration.
Nineteenth-century Romanticism breaks the ordered structure of rhythm and initial tonality with ornaments and modulations. But the orchestra follows the solo instrument well, respecting the classical structures.
In contrast, the music of 20th century composers,
the one that was classified in the post-romanticism of the end of the 19th century, takes its freedom to better plunge into the meanders of interiority. The moods crystallized by new combinations of musical motifs express the personal richness of the composer. The theme of joy and tenderness is abruptly broken by the cry of torment, which degrades into bitterness through the chromaticisms of the descending steps.
Conscious emotions become feelings reevaluated between ecstasy and pain, between tenderness and drama in search of meaning: the meaning of life. The orchestrations become much more complex in their musical forms.
Elie Coff*'s Korczack Piano Concerto No. 3 (1999) is an impressive dialogue between piano and orchestra: a symphony for piano and orchestra. The melodic motifs develop in ascending chromaticisms (up to eight in the first movement).
Here is the link: https://www.youtube.com/watch?v=DZZOrVUwGC0
The symphonies of Hugo Alfven, who died in 1960, are astonishing.
They surprise with their depth, dramatized by the diversity of feelings, interspersed with long pauses and accelerations.
He is a very original composer.
Here is the link: https://www.youtube.com/watch?v=RkpSdyL0N5M&t=196s.webloc
Here is the link: https://fr.wikipedia.org/wiki/Hugo_Alfv%C3%A9n
The concerto for violin and orchestra by Bortkiewicz, who died in 1952, is prodigious. Its strength is bewitching, especially in the 2nd movement, where one is fascinated by unique sonorities. This music is listened to with the whole body and mind.
Here is the link: https://fr.wikipedia.org/wiki/Sergue%C3%AF_Bortkiewicz
This is the difference between the music of the 20th century and that of before.
On the one hand, the gallant style in its luminous lightness and, on the other - the deep style in its grandiose sensitivity.
Suprarealism in music could be the supraromanticism of the 20th century.
This music is more romantic than that of the 19th century, in the sense
where the force of the expression of the passions is exacerbated and contrasted,
between a form of revolt and sadness.
A mystical atmosphere hovers, it wraps the listener in a magical veil.
Post-Romanticism was already on this path. However, we cannot classify, for more than a century, the dozens of composers as post-romantic. Compared to other 19th century composers, they are characterized in their search for meaning. Meaning in a musical work is the development of the melodic line.
Music has its universal language, through which it expresses itself. The language of this music is coherent, conscious. The sentences sublimate an emotion to make it alive, like a pulsating image. Harmony is its alphabet. Without it, she becomes maimed of her means
of conscious expression.
But to better understand this cultural tendency, it is better to place it
in its historical and social context.
In the past, music was attached to the church, to glorify the kingdom of God. Then, she entered the court to amuse the aristocracy and glorify the men of war who saw themselves ennobled, thanks to their military exploits. Te Deums were often Church hymns to glorify battles. There were musical pieces inspired by mythology. The music was intended for a well-placed minority in society.
The general public did not yet exist. It was not until the 19th century that music was heard
by a large number of people.
This is the time of the liberation of love (explained very well by Luc Ferry). This is the era of the romanticism of music, of opera where one died for love. This music was rooted in the personal life of the individual and his sentimental torments.
War is no longer an act of glory, but a subject of conflict between love and ambition, where love is victorious over death (Aida by Verdi). The music of this period is fascinating, because it concerns everyone's intimacy.
The 20th century began with two great wars that were not confined to the battlefields, as before. Civilians were exposed to unknown disasters,
caused by unprecedented new weapons.
Then there were the Nazis, the Civil Wars, the Cold War, Communism, etc.
This new politico-social context generates a new trend of emotional magnitude beyond the individual problem. In this situation, postromanticism was preachy, like a prophetic sign of events to come. The great composers of the late 19th century were visionaries. They were the precursors of 20th century supraromanticism.
This is a brief overview of the historical conjuncture that gave birth to major composers,
but unfortunately still unknown.
The pinnacle of suprarealist expression is found in the realm of the seventh art.
The new digital technology has opened the doors wide to the imagination in the expression of the invisible. Thanks to very complex synthetic images, worked on powerful computers with high-performance software, inspired creators deploy all their possibilities of creative imagination.
We admire non-existent creatures, but so real, we think we know them. The story follows a sensible and conscious idea, (often the struggle between good and evil, between love and hate). Here again, there is the confrontation of the real character and the imaginary creature.
It is the fruit of the conscious inner world of the creator. Compared to Fellini's surrealism where history is confusedly suspended in dreams, here it is followed by a constructive logic.
Here is the link: http://www.allocine.fr/film/fichefilm_gen_cfilm=4459.html
The goal is precise: to highlight an idea: “Avatar” (director James Cameron) is a very successful film, where the idea is clear: confrontation between civilization and nature. In this monumental film, the imagination makes visible the psychic vibrations of nature in the form of transparent filaments.
Here is the link: http://www.famillechretienne.fr/films/sf-et-fantastique/science-fiction/avatar-51575
In the TV movie "Two Princesses for a Kingdom" the almost human bats surprise us.
Here is the link: http://www.allocine.fr/series/ficheserie_gen_cserie=3403.html
“Peter and Elliott the Dragon” is a moving film. (The dragon was made in cartoon form. Here it is in computer graphics, which makes it more alive, because it is more real, so it is more endearing.) Director David Lowery.
Here is the link: http://www.allocine.fr/film/fichefilm_gen_cfilm=219903.html
"The Lord of the Rings" "Beauty and the Beast" 2017 (new adaptation directed by Bill Condon) and many others are masterful works. They mark our time and will remain in the history of cinema as masterpieces.
Several films are shown on television but late at night.
To report "La Grande Bellezza", Italian-French dramatic comedy by
Paolo Sorrentino from 2013.
A remarkable film of the decline of our time, filled with meaning, under the guise of a dream.
Other movies:
"The Man Who Laughs" French drama by Jean-Pierre Améris (2012)
"The City of Angels" (1998) Fantastic film by Brad Siberling.
"Pan's Labyrinth" (2006) Spanish-Mexican fantasy film by Guillermo del Toro.
In the literary field, we also find works of suprarealism,
for example: Roger Zelazny, excellent stylists and impressive imagination
Here is the link: https://fr.wikipedia.org/wiki/Roger_Zelazny
Catherine L. Moore:
Here is the link: https://fr.wikipedia.org/wiki/Catherine_Lucille_Moore
Joan D. Vinge:
Here is the link: https://fr.wikipedia.org/wiki/Joan_D._Vinge
Mad-Jarova "Facing Eternity"
Here is the link: https://fr.wikipedia.org/wiki/Mad-Jarova
Do you know that skill in art has nothing to do with craftsmanship? The work is created deep in the soul of the artist,
but the know-how is the basis of any authentic work.
It is a benchmark on which the creation of an era is based. Without it, everything could be considered art.
Without it, values remain subjective, but above all speculative.
